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This work is pivotal within the development of traditional harmony and is one that has remained popular in concert repertoire.Marcel Dupre was born in Rouen on the 3rd of May, 1886 and died in Meudon on the 30th of May 1971. After a strong musical upbringing, Dupre became organist at St. Vivien at the age of twelve years. He began his study at the Paris Conservatoire in 1902 and during this time won first prizes for piano, organ and fugal studies in addition to later being awarded the Prix de Rome in 1914. Dupre was unrivalled in terms of memory, being the first to perform the entire organ works of Bach in a series of concerts at the Paris Conservatoire in 1920. Prior to this, Dupre had been deputy to Widor and Vierne at St Sulpice and Notre-Dame Cathedrals respectively. From this, Dupre was able to establish a strong international reputation as a performer, travelling to America, England and several European countries. Sabatier describes Dupre’s pbackground as belonging to “the tradition of Lemmens, Guilmant and Widor: players of technical excellence who made every aspect of performance the object of meticulous study, including use of the pedal, double-pedalling, legato and staccato playing, and choices of fingering” (2007). Compositionally, Dupre left a substantial catalogue of works, especially those for the organ. Through his works, Dupre often experimented with tonality, pushing conventional boundaries. In addition to his own works, Dupre also created several transcriptions. Sabatier describes some of the most important of these being “16 Handel concertos, adapted for solo organ, and some works by Mozart: a fugue in C minor, originally written for two pianos, and two FantasIn his post-doctoral dissertation Marcel Dupre – The Culmination of the French Symphonic Organ Tradition, Dries gives the following information on Dupre’s Cortege et Litanie;

should say sorry now?